Haiga Archive

Search results: Nicole Pakan

  • 'these types of women / try to make you think they are the same as all the others but the main difference is that they go to bed with their makeup on and never dry their eyes....." by Nicole Pakan
    23 February 2010

    these types of women

    try to make you think they are the same as all the others but the main difference is that they go to bed with their makeup on and never dry their eyes.they keep guns in the linen closet and wonder why everything is the color of mercury. she will get into your head with those loose curls and a two-foot crowbar, and the mascara lines on the pillow are the webs children make with red yarn. like clapping games and rhymes and secret handshakes. she is part of something like that, except bigger.

  • 'kelp forest— / the lingering shadow / of seabirds' by Nicole Pakan.
    8 January 2010

    kelp forest—
    the lingering shadow
    of seabirds

  • 'all the joy in the world / the smoothness of wet slate' by Nicole Pakan.
    21 December 2009

    all the joy in the world
    the smoothness of wet slate

  • 'tree to hand to wave the stick fetches the dog tree to hand to wave the stick fetches the dog' by Nicole Pakan
    3 September 2009

    tree to hand to wave the stick fetches the dog tree to hand to wave the stick fetches the dog

  • "the flow of skin / or skirt, for a  / moment   without / gravity, the only / way down" by Nicole Pakan
    17 August 2009

    the flow of skin
    or skirt, for a
    moment without
    gravity, the only
    way down

  • 'outdoor theatre / watching the crow / watching the play' by Nicole πakan. Haiku first published on DailyHaiku, Volume 3:6, 2009.
    1 August 2009

    outdoor theatre
    watching the crow
    watching the play

  • ':in all of us / comes and goes, like a flash / or a pot of cerulean ink / uncovered, dissipates / what's left" by Nicole Pakan.
    16 July 2009

    :in all of us
    comes and goes, like a flash
    or a pot of cerulean ink
    uncovered, dissipates
    what’s left


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